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Mama

A Queer Black Woman's Story of a Family Lost and Found

Audiobook
1 of 1 copy available
1 of 1 copy available
In this searing and uplifting memoir, a young Black queer woman fresh out of college adopts her baby brother after their incarcerated mother dies, determined to create the kind of family she never had.
Growing up, Nikkya Hargrove's mother was in and out of prison. Hargrove, one of the 5 million children dealing with the effects of an incarcerated parent, spent a good portion of her childhood in prison visiting rooms. After her baby brother was born, Hargrove decided to fight for custody–even though she had only just graduated college.
We see how she is subjected to preconceived notions that she, a Black, queer, young woman, cannot handle the responsibility. She shares about the shame she feels accepting food stamps, her family's reaction to her coming out, and the joy she experiences when she meets the woman who will become her wife. Whether she's clashing with her brother's biological father or battling for Jonathan's education rights after he's diagnosed with ADHD and autism, this is a woman who won't give up.
Hargrove's memoir picks up where Bryan Stevenson's Just Mercy left off, exploring generational trauma and pulling back the curtain on family court and poverty in America. Moving and inspiring, Mama is an ode to motherhood and identity, to never giving up, and to finding strength in family and community.
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    • Kirkus

      October 1, 2024
      A memoir proposing a wider, more inclusive definition offamily. Hargrove's candid, straightforward narrative touches numerous social issues, including addiction, incarceration, trauma recovery, and the shaky legal ground of LGBTQ+ families. When she was 24, her third half sibling was born, and Jonathan's toxicology screening at birth placed his health, safety, and guardianship in question. Intimately familiar with her mother's crack cocaine addiction--Hargrove was herself raised primarily by her grandparents--she was determined to give her new half brother a measure of stability away from relapses, drug raids, and volatile relationships. Persuading an aunt to sign the paperwork "on the verbal condition that I would do the heavy lifting," the author became Jonathan's temporary guardian. Just months later, her mother died, and Hargrove fought for permanent custody of her half brother with the reluctant support of her extended family. While this battle inevitably revived traumatic memories from her own childhood, Hargrove is most concerned here with suggesting a path forward for others who come to "family" from nontraditional starting points. Personal reflections on the nature of caregiving, her LGBTQ+ identity, and the roots of her determination to become Jonathan's mother intertwine with accounts of clearing bureaucratic hurdles and taxing visits with Jonathan's biological father. In the second half of the text, Hargrove pivots to describe her efforts to construct a family and get free of her past with the help of a romantic partner. The pace accelerates at this point, whisking through years of ups and downs at a steady clip, and at times the rapid pace muffles the impact of the emotional trials and rewards the author delineates. Nonetheless, her story provides an accessible, encouraging model of how to construct a family with hope and intention. Quietly revelatory and affirming.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      September 30, 2024
      Hargrove (Good Mom on Paper) recounts adopting her younger brother after her mother’s death in this moving memoir. Hargrove’s mother, Lisa, who was addicted to cocaine and shuffled in and out of prison, placed the author in the care of her maternal grandparents. When Hargrove was 24, shortly after she graduated from Bard College, Lisa got pregnant, and Hargrove decided to become the legal guardian of her infant brother, Jonathan, to keep him out of the foster care system. The weight of that decision increased when Lisa died less than a year later, and Hargrove had to raise Jonathan alone, without help from the boy’s erratic father. After meeting and falling for a Sri Lankan woman named Dinushka, Hargrove adopted Jonathan and moved to suburban Connecticut. There, she and Dinushka weathered homophobia from Dinushka’s parents, bullying from their conservative neighbors, and behavioral issues that Jonathan developed after he entered school. Hargrove never loses sight of the difficulty of her situation, or the mistakes she’s made in handling it, and she forcefully illustrates the power of forging new connections to overcome childhood wounds. Readers will be inspired. Agent: Stacey Glick, Dystel, Goderich, and Bourret.

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  • English

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