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Wasteland

ebook
1 of 1 copy available
1 of 1 copy available

When you were a baby I sat very still to hold you. I could see the veins through your skin like a map to inside you. I stopped breathing so you wouldn't ... You were just a boy on a bed in a room, like a kaleidoscope is a tube full of bits of broken glass. But the way I saw you was pieces refracting the light, shifting into an infinite universe of flowers and rainbows and insects and planets, magical dividing cells, pictures no one else knew ... Your whole life you can be told something is wrong and so you believe it.

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  • Reviews

    • Publisher's Weekly

      Starred review from December 1, 2003
      From the author of Weetzie Bat
      comes a picture-perfect vision of mid-1970s Los Angeles, shimmering with Block's signature California-style magical realism and delicately overlaid with allusions to T.S. Eliot's The Waste Land
      . Marina's life is shattered by the death (likely a suicide) of her older brother, the surfing punk rocker Lex. With the help of her classmate (and aspiring love interest) West, Marina sets out to come to terms with the forces that led to her brother's death. Through hints, whispers and delicate shudders, the glittering, fragmented narration—told mostly by Marina, but also by West and even by the deceased Lex—moves back and forth through time, gradually revealing the central incident that drives the novel's action: the evening the siblings strayed into physical intimacy in a sunken bathtub. One of Lex's early narratives offers a clue, as he describes a visit to a psychic after the incident: "Here it comes, I thought. 'Fear death by water. Those were pearls that were his eyes' " (a reference to Eliot's clairvoyant, Madame Sosostris). Though undeniably attention-grabbing, this dramatic plot element seems almost forced, as if it were added on just in case the luscious prose and the authenticity of the teen scene were not enough to hold readers' attention. An 11th-hour twist underscores this feeling. Still, sophisticated teens are likely to be enthralled by Block's bold and poetic experiment; her skill with words never flags. All ages.

    • School Library Journal

      October 1, 2003
      Gr 9 Up-Block once again tackles the theme of love and its many variations. This time, she zeroes in on the ultimate taboo: incestuous love. Though Marina and her brother, Lex, struggle against their powerful love and attendant sexual attraction, the force is too strong to be denied. Readers will fear for them as their situation slowly but inexorably propels them toward their ultimate union, and, by extension, to Lex's suicide. It is a double tragedy, because Marina later learns that her brother was adopted. While Block's prose is as poetic and lush as always, her narrative shifts may confuse less sophisticated readers. It's not immediately clear that the italicized portions are from Lex's journal, and chapters switch abruptly from Marina's voice to third person. Also, while parental flakes aren't unusual in Block's fiction, readers may have a difficult time buying into the mother's reason for not telling her children about the adoption. Still, Block might reach a larger audience with this book; it does not stray too far from her characteristic terrain, but is set in a more realistic neighborhood than her otherworldly Shangri-L.A.-Catherine Ensley, Latah County Free Library District, Moscow, ID

      Copyright 2003 School Library Journal, LLC Used with permission.

    • Booklist

      July 1, 2003
      Gr. 9-12. Teenage Lex and his sister, Marina, have been close since early childhood, always there for each other. But when their love intensifies during a sexual encounter one night, both are racked with guilt. Lex kills himself; Marina tries to carry on with the support of a friend who loves her and knows that her brother did, too. There have been several recent YA books about incest, but what distinguishes this small poetic novel is its quiet. There's no sexual violence, no abuse. In the siblings' short, alternating monologues to each other, the word " you" is an endearment as each teen remembers growing up with a beloved sibling who was mother, father, friend, and child. The young people remember the small physical facts of their childhood together, the tenderness of Marina's baby hand clasped around Lex's finger; the laughter, then darkness. A plot surprise at the end seems patched on, and a long quote from T. S. Eliot's "Wasteland" may be beyond many readers. It's Block's simple, beautiful words that reveal the loving connection--and then the fragments.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)

    • Publisher's Weekly

      October 18, 2004
      Teenaged Marina must come to terms with her brother's death. In a starred review, PW
      called this novel "a picture-perfect vision of mid-1970s Los Angeles, shimmering with magical realism and delicately overlaid with allusions to T.S. Eliot's The Waste Land
      ." Ages 12-up.

    • The Horn Book

      January 1, 2004
      Teenage siblings Lex and Marina have always been close, but their closeness goes too far one night. Young adults may not get all the book's allusions to T. S. Eliot, but they will understand that the siblings' relationship is loving, not abusive or perverted. Block hedges her bets with a surprise ending; nevertheless, this exploration of tenderness, passion, and despair is ultimately a haunting love story.

      (Copyright 2004 by The Horn Book, Incorporated, Boston. All rights reserved.)

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Languages

  • English

Levels

  • ATOS Level:4.8
  • Interest Level:9-12(UG)
  • Text Difficulty:3

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