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Universe of Stone

Chartres Cathedral and the Invention of the Gothic

ebook
1 of 1 copy available
1 of 1 copy available
"[A] lively biography of Chartres Cathedral . . . Ball's account of its construction reveals fascinating details." —The New Yorker
Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?
In this work, Aventis Prize winner and National Book Critics Circle Award finalist Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world.
Beautifully illustrated, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes.
"A terrific book . . . a lucid, thoughtful tour de force." —The Christian Science Monitor
"Engrossing . . . a resplendent account of the mysteries of Chartres Cathedral." —Sunday Times
"There is no better introduction to the subject." —The Wall Street Journal
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    • Publisher's Weekly

      Starred review from May 26, 2008
      Anyone who has been thrilled by the great Gothic cathedrals will revel in this study of both the spiritual and architectural qualities of those medieval wonders. For Ball (Critical Mass
      ), a consultant for Nature
      magazine, the Chartres cathedral is the apotheosis of the Gothic style, and in his hands it becomes a kind of time capsule bearing the message of the High Middle Ages, when reason was emerging into a world previously governed by faith and fear. Ball is a sure-footed guide through the thickets of medieval philosophical debate about reason and religion, while also presenting the strong personalities of the time, such as the ascetic Bernard of Clairveaux and his nemesis, the fractious Peter Abelard. Then Ball focuses on the physical aspects of the cathedral: the role of the geometry in Gothic design, the fine points of rib vaults and pointed arches, and the role structural necessity played in creating the Gothic aesthetic. But for Ball the central question is the possible link between the the realms of the spiritual and physical: did the “hard-shell-studded limestone” Chartres cathedral embody the worldview of the new scholasticism taught at Chartres's prestigious school, which rejected the notion that God's ways are unknowable in favor of viewing nature as governed by orderly, intelligible laws? Ball's passion, sharp critical mind and fluid prose open a window onto the remote, alien world we call the Middle Ages. 16 pages of color illus., 100 b&w illus.

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  • English

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