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Inadvertent

Audiobook
1 of 1 copy available
1 of 1 copy available

The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham–Sandy M. Campbell Literature Prizes at Yale University. Administered by Yale's Beinecke Rare Book and Manuscript Library, the series publishes works based on the lecture given by the event's keynote speaker.

In Inadvertent, internationally bestselling author Karl Ove Knausgaard reveals his beginnings as a writer and his literary influences, his creative development and his struggles. But this text is more than a window into the writer's frame of mind. It's also a glimmering meditation on literature and creativity—on its limitations and its freedoms. From Jorge Luis Borges to Edvard Munch, the text explores Knausgaard's relationship to art that's moved him, and how that art situates itself in our culture. The text is both biographical and philosophical, and raises as many questions as it provides answers.

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    • Publisher's Weekly

      July 16, 2018
      Novelist Knausgaard (My Struggle: Book Six) lends his voice to the Why I Write series (following Patti Smith’s opening entry, Devotion), grappling with the theme of the series in a characteristically self-effacing and sometimes meandering ways. He begins by recounting formative literary experiences: bringing home book-filled shopping bags from the local library, and the day his mother gave him Ursula K. Le Guin’s A Wizard of Earthsea, a key moment in establishing literature as “a hiding place for me, and at the same time a place where I became visible.” From there he recalls first attempts at writing literary fiction in his late teens, first by himself and then at a creative writing course. Aspiring writers will find comfort in Knausgaard’s candor, which allows him to frankly reveal the feelings of inadequacy and fraudulence with which he has struggled. Unsurprisingly, the book’s autobiographical aspects are the most inspired; by comparison, Knausgaard’s critical comments about Tolstoy, Munch, Van Gogh, and Game of Thrones sometimes veer into the trite. Though Knausgaard offers some profound insights into writing as a craft, his signature self-awareness does not serve him well; his inability to settle on an answer to the central question renders this a scattershot work.

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  • OverDrive Listen audiobook

Languages

  • English

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