Starred review from February 2, 2004
British actress Wyatt has already proved herself keenly adept at handling a complex audiobook role, as Lyra in the His Dark Materials trilogy by Philip Pullman. Here, she effortlessly becomes 16-year-old Gemma, a 19th-century British girl who finds herself possessed of the frightening and supernatural ability to see dark visions of the future, including the violent death of her mother. Bray's gripping and suspenseful debut novel provides the perfect canvas for Wyatt, who alternately conveys fear, agitation and guilt and sometimes invokes the hissing tone of all things sinister. Gemma's journey from her childhood home in India to a posh London boarding school, combined with her forays into a chilling otherworld, will likely take hold of many teen listeners (and general fiction fans as well). Colorful details of Indian bazaars and the Spence School in London make this outing all the more compelling. Ages 12-up.
Starred review from December 8, 2003
In the opening scene of Bray's riveting debut novel set in Victorian times, narrator Gemma Doyle walks the streets of Bombay, India, with her mother on her 16th birthday. By the end of the second chapter, her mother, who has told Gemma to return home, is dead, and Gemma has envisioned just how it happened, involving a "dark shape" that makes a "slithering sound." Next, readers find her on a train bound for Victoria Station, en route to Britain's Spence Academy. Gemma's visions intensify while at school, where she is led to a nearby cave and discovers a diary of a woman who had similar experiences. She soon learns of an age-old Order of sorceresses who can open doors between worlds—and of a tragedy two decades prior that is beginning to cast its shadow over her. Meanwhile, the girls of Spence are preparing for their "season," when they will be trotted out before wealthy bachelors in hopes of securing a good marriage. Bray brilliantly depicts a caste system, in which girls are taught to abandon individuality in favor of their man's wishes, as a deeper and darker horror than most things that go bump in the night. While aimed at female readers, it will be just as delectable to boys brave enough to be seen carrying a book sporting a corset-clad girl on the cover. The pace is swift, the finale gripping. A delicious, elegant gothic. Ages 12-up.
March 21, 2005
In a starred review, PW
called this debut novel set in Victorian times "riveting." When the 16-year-old narrator's mother dies, the teen envisions how it happened, then finds herself en route to a British boarding school. "The pace is swift, the finale gripping." Ages 12-up.
February 1, 2004
Gr 9 Up-An interesting combination of fantasy, light horror, and historical fiction, with a dash of romance thrown in for good measure. On her 16th birthday, Gemma Doyle fights with her mother. She wants to leave India where her family is living, runs off when her mother refuses to send her to London to school, has a dreadful vision and witnesses her mother's death. Two months later, Gemma is enrolled in London's Spence School, still troubled by visions, and unable to share her grief and guilt over her loss. She gradually learns to control her vision and enter the "realms" where magical powers can make anything happen and where her mother waits to instruct her. Gradually she and her new friends learn about the Order, an ancient group of women who maintained the realms and regulated their power, and how two students unleashed an evil creature from the realms by killing a Gypsy girl. Gemma uncovers her mother's connection to those events and learns what she now must do. The fantasy element is obvious, and the boarding-school setting gives a glimpse into a time when girls were taught gentility and the importance of appearances. The author also makes a point about the position of women in Victorian society. Bray's characters are types-Felicity, clever and powerful; Ann, plain and timid; Pippa, beautiful and occasionally thoughtless; Gemma, spirited and chafing under society's rules-but not offensively so, and they do change as the story progresses. The ending leaves open the likelihood of a sequel. Recommend this to fantasy fans who also like Sherlock Holmes or Mary Russell.-Lisa Prolman, Greenfield Public Library, MA
Copyright 2004 School Library Journal, LLC Used with permission.
July 1, 2004
Arriving at her Victorian London boarding school, Gemma finds that the mystery of her mother's death has followed her from India. The machinations of her schoolmates, along with visions of another realm where her mother exists, lead Gemma into danger. The author weaves historical fiction, romance, and the supernatural into a captivating story.
(Copyright 2004 by The Horn Book, Incorporated, Boston. All rights reserved.)
February 15, 2004
Gr 9 Up-An interesting combination of fantasy, light horror, and historical fiction, with a dash of romance thrown in for good measure. On her 16th birthday, Gemma Doyle fights with her mother. She wants to leave India where her family is living, runs off when her mother refuses to send her to London to school, has a dreadful vision and witnesses her mother's death. Two months later, Gemma is enrolled in London's Spence School, still troubled by visions, and unable to share her grief and guilt over her loss. She gradually learns to control her vision and enter the "realms" where magical powers can make anything happen and where her mother waits to instruct her. Gradually she and her new friends learn about the Order, an ancient group of women who maintained the realms and regulated their power, and how two students unleashed an evil creature from the realms by killing a Gypsy girl. Gemma uncovers her mother's connection to those events and learns what she now must do. The fantasy element is obvious, and the boarding-school setting gives a glimpse into a time when girls were taught gentility and the importance of appearances. The author also makes a point about the position of women in Victorian society. Bray's characters are types-Felicity, clever and powerful; Ann, plain and timid; Pippa, beautiful and occasionally thoughtless; Gemma, spirited and chafing under society's rules-but not offensively so, and they do change as the story progresses. The ending leaves open the likelihood of a sequel. Recommend this to fantasy fans who also like Sherlock Holmes or Mary Russell.-Lisa Prolman, Greenfield Public Library, MA
Copyright 2004 Library Journal, LLC Used with permission.
November 15, 2003
Gr. 8-12. Gemma Doyle is no ordinary nineteenth-century British teenager; she has disturbing visions. Upon finding the diary of a young student who was also a visionary of sorts, Gemma and three classmates, each of whom, like Gemma, has a personal demon to overcome, follow the diarist's lead and travel into the Realms, a place of both joy and danger. The jacket, a photo of a young woman in a tightly laced corset and lacy camisole, bespeaks a steamy love story (Gemma does have some sexy dreams about a young gypsy), but the costume is really a metaphor for the strictures against women of the period, which Bray limns extremely well in her debut novel. The Realms and the mystery surrounding the diary are less well handled, yet there's no doubt the mystical elements, along with a touch of forbidden romance, will draw a large, enthusiastic audience, who will come away wanting more about stubborn, willful Gemma and the strange world whose doors she can open at will.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)