Sea of Poppies

Starred review from August 18, 2008
Diaspora, myth and a fascinating language mashup propel the Rubik's cube of plots in Ghosh's picaresque epic of the voyage of the Ibis
, a ship transporting Indian “girmitiyas” (coolies) to Mauritius in 1838. The first two-thirds of the book chronicles how the crew and the human cargo come to the vessel, now owned by rising opium merchant Benjamin Burnham. Mulatto second mate Zachary Reid, a 20-year-old of Lord Jim–like innocence, is passing for white and doesn't realize his secret is known to the “gomusta” (overseer) of the coolies, Baboo Nob Kissin, an educated Falstaffian figure who believes Zachary is the key to realizing his lifelong mission. Among the human cargo, there are three fugitives in disguise, two on the run from a vengeful family and one hoping to escape from Benjamin. Also on board is a formerly high caste raj who was brought down by Benjamin and is now on his way to a penal colony. The cast is marvelous and the plot majestically serpentine, but the real hero is the English language, which has rarely felt so alive and vibrant.

January 26, 2009
Ghosh's latest novel is a 19th-century epic of slaves, opium and the Indian diaspora. Phil Gigante didn't seem to note the time period; he reads Ghosh's work as if its characters dated from the 1940s, not the 1840s. Gigante goes to town with the novel's voices, African, Indian and otherwise, but they are distractingly modern and aggressively stylized. When he is reading Ghosh's narration, Gigante's voice is smooth and calming, but the onset of dialogue sends him into a tizzy. The result is a shambles, with Indian voices sounding like a parody of The Simpson
's Apu, and even sillier Southerner voices. The parade of clichéd vocals sinks Ghosh's work, rendering this audiobook an unnecessarily distracting historical anomaly. A Farrar, Straus & Giroux hardcover (Reviews, Aug. 18).