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Make Good the Promises

Reclaiming Reconstruction and Its Legacies

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1 of 1 copy available
1 of 1 copy available

The companion volume to the Smithsonian’s National Museum of African American History and Culture exhibit, opening in September 2021

With a Foreword by Pulitzer Prize-winning author and historian Eric Foner and a preface by veteran museum director and historian Spencer Crew

An incisive and illuminating analysis of the enduring legacy of the post-Civil War period known as Reconstruction—a comprehensive story of Black Americans’ struggle for human rights and dignity and the failure of the nation to fulfill its promises of freedom, citizenship, and justice.

In the aftermath of the Civil War, millions of free and newly freed African Americans were determined to define themselves as equal citizens in a country without slavery—to own land, build secure families, and educate themselves and their children. Seeking to secure safety and justice, they successfully campaigned for civil and political rights, including the right to vote. Across an expanding America, Black politicians were elected to all levels of government, from city halls to state capitals to Washington, DC.

But those gains were short-lived. By the mid-1870s, the federal government stopped enforcing civil rights laws, allowing white supremacists to use suppression and violence to regain power in the Southern states. Black men, women, and children suffered racial terror, segregation, and discrimination that confined them to second-class citizenship, a system known as Jim Crow that endured for decades.  

More than a century has passed since the revolutionary political, social, and economic movement known as Reconstruction, yet its profound consequences reverberate in our lives today. Make Good the Promises explores five distinct yet intertwined legacies of Reconstruction—Liberation, Violence, Repair, Place, and Belief—to reveal their lasting impact on modern society. It is the story of Frederick Douglass, Frances Ellen Watkins Harper, Hiram Revels, Ida B. Wells, and scores of other Black men and women who reshaped a nation—and of the persistence of white supremacy and the perpetuation of the injustices of slavery continued by other means and codified in state and federal laws.

With contributions by leading scholars, and illustrated with 80 images from the exhibition, Make Good the Promises shows how Black Lives Matter, #SayHerName, antiracism, and other current movements for repair find inspiration from the lessons of Reconstruction. It touches on questions critical then and now: What is the meaning of freedom and equality? What does it mean to be an American? Powerful and eye-opening, it is a reminder that history is far from past; it lives within each of us and shapes our world and who we are.

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    • Kirkus

      July 1, 2021
      A broadly ranging study of the Reconstruction era and its misinterpretations. In a very real sense, note the editors and other contributors in this companion book to the exhibit at the Smithsonian's National Museum of African American History & Culture, the Civil War has never ended. Indeed, as a caption to a chilling photograph from Jan. 6, 2021, reads, "The storming of the US Capitol...recalled the political violence of the Reconstruction era." Reconstruction was a failed enterprise, but not because it was in any way wrong to elevate African Americans to full citizenship. Many of the activists of the era understood that emancipation was only one step on the journey to that goal, which requires economic as well as political advancement. There are two Reconstructions: one White and one Black. The former holds that Reconstruction failed through some inherent corruption in the system, the latter in the failure of the federal government to undertake its platform in full good faith--with President Andrew Johnson, for instance, pulling back on many of its reforms and allowing the Southern states to return to the fold of the Union while retaining many of their exclusionary pre-Civil War laws. As a result, writes historian Hasan Kwame Jeffries, "the Confederate tradition of promoting nostalgia over history has been woven into the fabric of American culture," with the recent murders of Black citizens by police being a point on a continuum that extends far into the past. The contributors argue that the country as a whole seems willing to engage in a "national reckoning concerning the lies about Reconstruction" even as Republican legislators around the country rush to suppress any curriculum that does more than mention slavery in passing. The book, evenhanded and searching, is enhanced by meaningful photographs from past and present as well as a foreword by Eric Foner. Students of American history and civil rights activists alike will find much of value in this survey.

      COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      Starred review from July 12, 2021
      Paroxysms of Southern white rage short-circuited Reconstruction, according to this concise yet powerful companion volume to an upcoming exhibit at the National Museum of African American History and Culture. Museum directors Conwill and Gardullo gather an impressive line-up of historians and curators, including Eric Foner and Kimberlé Crenshaw, to document the brief period of post–Civil War uplift that delivered citizenship, voting rights, and, in some cases, land to newly liberated African Americans. The contributors also detail how so-called Redeemers worked feverishly to claw back gains that Congress granted, resulting in Blacks’ hopes for true equality being dashed by “terror, racist propaganda, and political malfeasance.” UCLA law professor and critical race theorist Crenshaw views America’s long history of “racial retrenchment” following “stirrings of freedom’s possibilities” through the lens of the 2015 attack on Emanuel AME Church in Charleston, S.C., by a white supremacist, and documents the role Black women have played in the “struggle for liberation.” Other essays link George Floyd’s murder by police officers in 2020 to the rise of “white terror gangs” in the 1860s and ’70s, and document recent campaigns to bring down Confederate monuments. Firmly planted in both the past and the present, this is an excellent introduction to an oft-misunderstood chapter in American history. Illus.

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