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Palestine

A Four Thousand Year History

Audiobook
1 of 1 copy available
1 of 1 copy available
This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history.
Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine's multicultural past has been distorted and mythologised by Biblical lore and the Israel–Palestinian conflict.
In the process, Masalha reveals that the concept of Palestine, contrary to accepted belief, is not a modern invention or one constructed in opposition to Israel, but rooted firmly in ancient past. Palestine represents the authoritative account of the country's history.
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    • Publisher's Weekly

      August 13, 2018
      Masalha, a historian at SOAS University of London, unravels the convenient Western romanticization of Palestine before 1948 as “a land without a people for a people without a land,” a territory bursting with ancient Jewish artifacts whose few remaining residents were nomadic shepherds belonging to the Ottoman territory of Greater Syria. On the contrary, as this volume meticulously and methodically documents, “traditionally and throughout the Middle Ages, the name Filastin had indicated both an exact geographic location and the identity of the (predominantly, but not exclusively) Arab Muslim population.” Masalha sheds light on the quotidian realities of four millennia of continuous habitation, from the tradition of desert monasticism that first flourished in the centuries after Jesus’s death to the artistic, intellectual, and mercantile flowering of Mamluk Jerusalem. Opting for scholarly precision rather than fiery rhetoric, this volume laments that “history and collective memory are often a tapestry of stories woven by social elites, with a disregard for the voices of ordinary people” and celebrates its subjects’ “multicultural identity and diversity,” which stand “in sharp contrast to the anachronism of monocultural Zionism.” The result is a sharp, powerfully understated denunciation of Israel’s founding mythology. Masalha’s narratives provide ballast and backstory to the contemporary claims of the dispossessed.

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