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You're Not Doing It Right

Tales of Marriage, Sex, Death, and Other Humiliations

Audiobook
1 of 1 copy available
1 of 1 copy available
In the tradition of Christian Lander’s hipster/yuppie-friendly bestselling Stuff White People Like, Michael Ian Black delivers his unique brand of quirky, deadpan humor in this new collection of comedic essays. Now that Black has become the guy he swore he’d never be—a Yuppie A-Hole—he has a lot to say about his family life in suburbia, and he shares his incisive yet absurd observations with readers in You’re Not Doing It Right.  Chronicling his adventures cruising the neighborhood for his inevitable future “divorce house” (despite being happily married) or discussing Our Second Shitty Baby, Black delivers his straightfaced musings with the same sardonic humor that has earned him a rabid cult following. Want to know the pros and cons of hamster ownership or why kindergarten recitals are so boring? Looking for tips for lying to your kids about Santa? Clever, dry, and laugh-out-loud funny, You’re Not Doing It Right will “blow your mind all over your face” just like My Custom Van.
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    • Publisher's Weekly

      December 12, 2011
      In this memoir, comedian-performer-screenwriter Black provides a humorous take on his path from New Jersey kid through single Manhattan guy to suburban husband and father. Black lost his father early and was primarily raised by his mother and her lesbian partner. An interest in the theater led him to sketch-writing gigs and a show on MTV and VH-1’s I Love the... series. However, Black’s focus is on private life and we learn of his dating mishaps, fear of marriage, dislike of children, various health problems, and the guilty pleasure of buying a new BMW. Nothing about Black comes gracefully. He tells us he can’t stand his wife; he’s not very good at sex; and he notes that raising children is horrible. When he tries marijuana for the first time on his honeymoon, he passes out in an Amsterdam hash bar. Black positions himself as a kind of infantile fool. This is all shtick, of course, and Black can often be amusing in his role, but the succession of one-liners grows monotonous. He doesn’t lack ability as a writer, but his attempts at greater emotional range, such as the section on his father’s death, are undercut by his reduction of everyone to a sit-com stereotype.

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  • English

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