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The Bottoms

Audiobook
1 of 1 copy available
1 of 1 copy available
This Edgar Award winner is "equal parts morality tale and page-turning thriller" (Denver Post)—classic American storytelling in its truest, darkest, and most affecting form, with echoes of William Faulkner and Harper Lee.
It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man. Together with his younger sister, Harry sets out to discover who the real killer is, and to do so they will search for a truth that resides far deeper than any river or skin color.
Contains mature themes.
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    • AudioFile Magazine
      Lost in the woods near their East Texas home, young Harry Crane and his sister find a woman's mutilated body lashed to a tree. With their father, the town constable, the children try to find out what happened. Don Jellerson tells the story from the point of view of Harry, now very old and living in a nursing home, remembering his childhood in the 1930s. Jellerson's mild Texas accent and slow pace clearly convey the weariness of the elderly man, as well as the vividness of his memory. Even when retelling conversations, Jellerson remains the old man remembering what was said, as though he were reminiscing with a friend. Patiently told, the story becomes even more terrifying, and more poignant. R.P.L. (c) AudioFile 2001, Portland, Maine
    • Publisher's Weekly

      September 4, 2000
      In his latest suspense thriller, prolific yarn-spinner Lansdale, best known for his offbeat series featuring the mismatched East Texas Sherlocks Hap Collins and Leonard Pine (Bad Chili), presents a different voice in a coming-of-age story set in the early years of the Great Depression. Lansdale's 80-something protagonist, Harry Crane, looks back to the day in 1933 when he was 13 and, with his nine-year-old sister, Tom (Thomasina), he found the mutilated corpse of a black prostitute bound to a tree with barbed wire near their home along the hardscrabble bottomlands of the Sabine River. The discovery presents their father, Jacob Crane--a farmer and barber eking out a living as the town constable--with a nightmarish investigation. News travels slowly in the days before television, but Jacob learns from the black doctor who performs the makeshift autopsy that two other mutilated bodies have been found over the last 18 months. Because the victims are black and "harlots," no one in the county much cares. But when the body of a white prostitute is discovered, a rabid mob lynches Moses--a black man who has been something of a surrogate father to Jacob--despite Jacob and Harry's heroic efforts to save him. Predictably, another body is soon discovered. Lansdale is best when recreating the East Texas dialogue and setting. Readers will not have to work hard to unearth comparisons to characters in To Kill a Mockingbird, but gruesome details of the murders keep the novel from being labeled a period piece. Folksy and bittersweet, though rather rough-hewn and uneven, Lansdale's novel treats themes still sadly pertinent today.

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  • English

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